Giovanni Pierluigi da Palestrina. Adoramus te Christe, motet for 4 voices (from Motets Book II for 4 voices). Composition Information ↓; Description ↓; Appears . L. Stokowski): Adoramus te Christe (arr. L. Stokowski for orchestra) How Fair Thou Art: Biblical Passions by Giovanni Pierluigi da Palestrina · More Giovanni.
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Brian Marble submitted Introspection Late Night Partying. Peter’s Basilica and the pope’s Cappella Giulia — and personal grief, with several family members dying of the plague. Title wrongly reads Adoremus let’s adore instead of Adoramus we adore. La Cappella Sistina e la Musica dei Papi. Giovanni Pierluigi da Palestrina: An Evening with Leopold Stokowski.
Adoramus te Christe, motet for 4 voices (from Motets Book II for 4 voices)
Dating apparently from the 19th century and circulated as being by Palestrina, the soprano part was taken from the lovely motet of the same title by Francesco Rosselli.
And the music across his vast output does retain a uniformly high level of balance, clarity, and extremely careful control over the flow of harmonic dissonance and consonance.
Original text and translations Original text and translations may be found at Adoramus te, Christe. Streams Videos All Posts.
Adoramus te, Christe (attrib. Giovanni Pierluigi da Palestrina) – ChoralWiki
Drinking Hanging Out In Love. MusicXML source file is in compressed. Ian Haslam submitted Palestrina set it with all due respect and intimacy.
Joy to the World.
More by Giovanni Pierluigi da Palestrina
Symphony of the Air. Yet the fact remains that he contributed mightily to the worship music of the Catholic Church, publishing almost 30 books of masses, motets, and other liturgical compositions in his lifetime.
Sexy Trippy All Moods. All voices now sing chhriste brief imitative motive and somewhat more extended melodies; a series of similar plagal cadences are this time bookended between two more conclusive “perfect” cadences.
Adoramus te not to be confused with 2 authentic settings. Symphony for the Season.
Even in a relatively brief work such as his motet adoramis four “equal” voices, Adoramus te, Christe, Palestrina ‘s utter musical control is evident.
Biographers have no doubt that Palestrina could be a ruthless businessman, and the holy orders he took may have been an act of depression more than one of faith.
Adoramus te, Christe (Giovanni Pierluigi da Palestrina) – ChoralWiki
Rainy Day Relaxation Road Trip. Spirit of the Season. Drew Collins submitted